- US-16X08
US-16x08
Tascam US-16x08 interface offers a combination of 16 microphone and line inputs. With recording capability up to 96kHz/24-bit, the eight microphone preamps provide ‘clean and quiet’ operation while delivering up to 56dB of gain. An additional eight balanced line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring.
When no USB connection is recognised, US-16x08 can be used as a microphone preamplifier in standalone mode. In this mode, the signals from the XLR inputs on the front are output from the TRS jacks on the rear of the unit. Tested with Sonar, ProTools, Cubase, Live, Studio One, and Garage Band, the interface includes MIDI inputs and outputs so that they can also be used as MIDI interfaces.
Using the same preamps as used in the Tascam HS-P82 professional recorders, the interface can handle both condenser and dynamic mics. The ‘versatile’ preamps also feature line-level inputs for keyboards and other equipment. US-16x08 also features a built-in DSP Mixer for low-latency digital mixing. Each channel has four-band EQ and compression for polished-sounding monitor mixes.
Windows and Mac drivers are provided, as well as USB Class Compliant 2.0 drivers for tablets like the Apple iPad. MIDI input and output are also available on the rear panel.
Supported Operating Systems
Windows: Windows 11 (version 22H2), Windows 11 (version 22H1), Windows 10 (version 22H2), Windows 10 (November 2021, version 21H2) Windows 10 (May 2021, version 21H1), Windows 8.1, Windows 8, Windows 7.
Mac: macOS Ventura (13.0), macOS Monterey (12.0), macOS Big Sur (11.0), macOS Catalina (10.15), macOS Mojave (10.14), macOS High Sierra (10.13), macOS Sierra (10.12), OS X El Capitan (10.11), OS X Yosemite (10.10), OS X Mavericks (10.9), OS X Mountain Lion (10.8).
iOS: iOS 15/iPadOS 15, iOS 14/iPadOS 14, iOS 13/iPadOS 13, iOS 12, iOS 11, iOS 8, iOS 7.
Sampling frequencies: 44.1/48/88.2/96 kHz. Quantization bit depth: 16-bit or 24-bit. Mic inputs 1-8: Balanced 3-pin XLR. Input impedance: 2.4 kohms. Rated input level: −68 dBu, 0.0003 Vrms, gain knob max. Rated input level: −12 dBu, 0.195 Vrms, gain knob min. Maximum input level: +8 dBu (1.947 Vrms). Maximum gain: 56 dB. Headphones output: 6.3-mm standard stereo jack. Maximum output power: 70 mW + 70 mW (THD+N less than or equal to 1%, 32 ohms). Output impedance: 51.5 ohms. Load impedance: 16–600 ohms. Frequency response (input to headphones output): 20 Hz – 20 kHz, +/-1.0 dB (JEITA), 44.1 kHz and 48 kHz; 20 Hz – 40 kHz, +/-2.0 dB (JEITA), 88.2 kHz and 96 kHz. Other inputs/outputs: MIDI 5-pin DIN connector. USB: type-B. Mic preamp EIN (equivalent input noise): −125 dBu or more. Frequency response (input to line output): 20 Hz – 20 kHz, +/-0.5 dB (JEITA), 44.1 kHz and 48 kHz; 20 Hz – 40 kHz, +/-0.5 dB (JEITA), 88.2 kHz and 96 kHz. S/N ratio: 100 dB or higher. Distortion: 0.006% or less. Power consumption: 12W. Dimensions (WxHxD): 445 × 59 × 219 mm. Weight: 2.8 kg.
- US-1X2HR
US-1x2HR
Tascam US-1x2HR is the smallest member of the Tascam US-HR series USB audio interfaces. With ‘HR’ denoting ‘high-resolution’, this interface has one mic and one instrument input and is therefore particularly suitable for simple 2-channel recording with a computer. US-1x2HR is also suitable for podcast creation and live streaming due to the included loopback function and support for Open Broadcaster Software (OBS Studio). The interface weight 623g and is therefore suitable for mobile recording and production using an iPhone or iPad with the included Cubasis LE. Note: an optional BP-6AA battery pack or AC adapter is required when used with iPhone or iPad.
The balanced, 3-pin XLR mic input on the US-1x2HR can provide 48-volts phantom power to condenser mics and it offers gain up to 57dB for compatibility with dynamic mics. US-1x2HR offers an instrument input for direct connection of an electrical guitar or bass. This means you can record or stream your instrument without the need for an instrument amplifier. You can also connect external equipment to the US-1x2HR like a cassette deck, CD player or smartphone using a conversion cable.
From the Settings Panel, which is installed on your computer, the user can choose whether direct monitoring is done in mono or stereo and adjust the balance between input and computer signals. You can also switch the hardware inputs on and off individually and set the Windows buffer size according to your working environment. For online broadcasting, internet communication and other live streaming applications, US-HR series interfaces offer a Loopback function which can merge input signals 1/2 with signals 1/2 coming from the computer. These can be set to mono or stereo and send the mix to the broadcasting or other software on the computer. A software slider allows to adjust the final ‘broadcast’ volume independently from the unit’s line output level setting.
When used with a computer, US-1x2HR is powered by USB so a separate power supply is not required. If the unit is connected to an iPhone or iPad an optional PS-P520E, 5V power supply or BP-6AA battery pack is required. An original Apple AC adapter can also be used, however pass through power is not provided to the iOs device. A genuine Apple Lightning-USB adapter is also required for operation with an iPhone/iPad.
Supported Operating Systems
Windows: Windows 11 (version 22H2), Windows 11 (version 22H1), Windows 10 (version 22H2), Windows 10 (November 2021, version 21H2), Windows 10 (May 2021, version 21H1), Windows 8.1, Windows 7.
Mac: macOS Ventura (13.0), macOS Monterey (12.0), macOS Big Sur (11.0), macOS Catalina (10.15), macOS Mojave (10.14), macOS High Sierra (10.13).
iOS: iOS 15/iPadOS 15, iOS 14/iPadOS 14, iOS 13/iPadOS 13, iOS 12.
Optional accessories: BP-6AA battery pack.
Sampling frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz. Quantization bit depth: 24 bits. Mic input impedance: 2.4 kohm. Nominal input level: -65 dBu, gain knob at max. Nominal input level: -8dBu, gain knob at min. Maximum input level: +10 dBu. Maximum gain: 58 dB. Headphones output: 6.3mm stereo jack. Maximum output power: 18 mW + 18 mW or higher, THD+N 0.1% or less, 32 ohm. USB: 4-pin USB C-type. Transfer rate: USB 2.0 Hi-speed, 480 Mbits/s. Mic input frequency response: 20 Hz – 20 kHz, +0 dB/–0.4 dB (JEITA), 44.1/48 kHz; 20 Hz – 40 kHz, +0 dB/–0.4 dB (JEITA), 88.2/96 kHz. Line input/output frequency response: 20 Hz – 20 kHz, +0.2 dB/–0,1 dB (JEITA), 44.1/48 kHz; 20 Hz – 40 kHz, +0.2 dB/–0.4 dB (JEITA), 88.2/96 kHz. Power supply: USB bus power. Power consumption: 1.8 W. Dimensions (WxHxD): 146 x 55 x 120mm. Weight: 623g.
- US-2x2HR
US-2x2HR
This audio interface shares the functionality of the Tascam US-2x1HR, however US-2x2HR features two 6.3mm jack/3-pin XLR combination mic/line inputs. The two outputs are by way of balanced 6.3mm jack connectors.
Supported Operating Systems
Windows: Windows 11 (version 22H2), Windows 11 (version 22H1), Windows 10 (version 22H2), Windows 10 (November 2021, version 21H2), Windows 10 (May 2021, version 21H1), Windows 8.1, Windows 7.
Mac: macOS Ventura (13.0), macOS Monterey (12.0), macOS Big Sur (11.0), macOS Catalina (10.15), macOS Mojave (10.14), macOS High Sierra (10.13).
iOS: iOS 15/iPadOS 15, iOS 14/iPadOS 14, iOS 13/iPadOS 13, iOS 12.
Optional accessories: BP-6AA battery pack.
Sampling frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz. Quantization bit depth: 24 bits. Mic input impedance: 2.2 kohm. Rated input level: -7 dBu. Maximum input level: +9 dBu. Gain range: 56 dB. Headphones output: 6.3mm stereo jack. Maximum output power: 18 mW + 18 mW or higher, THD+N 0.1% or less, 32 ohm. USB: 4-pin USB C-type. Transfer rate: USB 2.0 Hi-speed, 480 Mbits/s. Mic input frequency response: 20 Hz – 20 kHz, +0 dB/–0.4 dB (JEITA), 44.1/48 kHz; 20 Hz – 40 kHz, +0 dB/–0.4 dB (JEITA), 88.2/96 kHz. Line input/output frequency response: 20 Hz – 20 kHz, +0.2 dB/–0,1 dB (JEITA), 44.1/48 kHz; 20 Hz – 40 kHz, +0.2 dB/–0.4 dB (JEITA), 88.2/96 kHz. Power supply: USB bus power. Power consumption: 1.75 W. Dimensions (WxHxD): 186 × 65 × 160mm. Weight: 1.1 kg.
- US-4X4HR
US-4x4HR
This audio interface shares the functionality of the Tascam US-2x1HR, however US-4x4HR features four input channels, each with a single balanced 3-pin XLR microphone input and single 6.3mm jack line level input. US-4x4HR has four output channels, each by way of 6.3mm jack connection. There are also two headphone connections for dual monitoring of the same output.
Tascam US-4x4HR requires either USB bus power from the connected computer, or optional PS-P1220E, 12V DC power supply when used with an iOS device.
Supported Operating Systems
Windows: Windows 11 (version 22H2), Windows 11 (version 22H1), Windows 10 (version 22H2), Windows 10 (November 2021, version 21H2), Windows 10 (May 2021, version 21H1), Windows 8.1, Windows 7.
Mac: macOS Ventura (13.0), macOS Monterey (12.0), macOS Big Sur (11.0), macOS Catalina (10.15), macOS Mojave (10.14), macOS High Sierra (10.13).
iOS: iOS 15/iPadOS 15, iOS 14/iPadOS 14, iOS 13/iPadOS 13, iOS 12.
Optional accessories: BP-6AA battery pack.
Sampling frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz. Quantization bit depth: 24 bits. Mic input impedance: 2.2 kohm. Rated input level: -7 dBu. Maximum input level: +9 dBu. Gain range: 56 dB. Headphones output: 6.3mm stereo jack. Maximum output power: 18 mW + 18 mW or higher, THD+N 0.1% or less, 32 ohm. USB: 4-pin USB C-type. Transfer rate: USB 2.0 Hi-speed, 480 Mbits/s. Mic input frequency response: 20 Hz – 20 kHz, +0 dB/–0.4 dB (JEITA), 44.1/48 kHz; 20 Hz – 40 kHz, +0 dB/–0.4 dB (JEITA), 88.2/96 kHz. Line input/output frequency response: 20 Hz – 20 kHz, +0.2 dB/–0,1 dB (JEITA), 44.1/48 kHz; 20 Hz – 40 kHz, +0.2 dB/–0.4 dB (JEITA), 88.2/96 kHz. Power supply: USB bus power. Power consumption: 2.25 W. Dimensions (WxHxD): 296 x 65 x 160mm. Weight: 1.6 kg.
FAQs
What does 2x2 mean in audio interface? ›
US-2x2. USB Audio/MIDI Interface (2 in, 2 out) As a 2-input/2-output USB audio/MIDI interface, the US-2x2 is perfect for music creation – and novice users in particular.
How much is a tascam us2000? ›$449.99. Tascam +1 323 726 0303.
What is the price of Tascam audio interface? ›Tascam Us-4x4 at Rs 16000/pcs | Sound Cards in Ambala | ID: 11772052191.
What is 24bit vs 32-bit audio? ›24-bit audio recordings can capture a dynamic range of up to 144.5 dB. Meanwhile, 32-bit float audio can capture the absolutely ludicrous range of up to 1,528 dB. That's not only massively beyond the scope of 24-bit audio, but it's beyond the scale of what even counts as a sound on Earth.
Is 24-bit audio interface good? ›While noise is basically nonexistent between both bit depths, 24-bit audio is better for studio audio editing. At higher volumes, audio starts to distort. A higher dynamic range means that the audio can reach louder volumes before distortion sets in. 24-bit audio is optimal for editing in that regard.
How do I transfer music from Tascam to computer? ›Connect the Tascam to a computer using the USB cable. Use the – button to select 'Storage' and press enter (>). The computer will recognise the Tascam just like a digital camera or memory stick. The sound files are in the Music folder and you can either copy and paste or drag and drop them onto the computer.
Is Tascam a good brand? ›The TASCAM brand has a good reputation, and I used earlier 202 models back in the day. But the $500 price tag took me by surprise. TASCAM is TEAC's pro brand, and its product line has always been pricey, but this, after all, is a cassette deck.
Are audio interfaces worth it? ›The advantages of an audio interface are these:
You can use any XLR microphone. You can use more than one microphone at a time (USB mics allow only one mic to connect) The headphone output in a USB interface will sound better and louder than the headphone out of a USB mic or laptop 'phone jack.
Great Sound for Home Recording
It features an 18-mm aluminum diaphragm with a cardioid pickup pattern that is suited for anything from vocals to acoustic instruments. Internal circuitry is optimized to reduce noise and distortion while retaining rich, full sound quality.
TASCAM DR-05X Handheld Recorder Features:
Portable recorder for dictation, voice recording, musicians, podcasting, and field recording. Dual omnidirectional condenser microphones for stereo recording.
Is Tascam a Japanese company? ›
In 1971 TASCAM (TASC AMerica Corp.) was founded to distribute TASC products in the U.S. It also conducted additional market research in the US for the Japanese parent company. The company's first headquarters was at 5440 McConnell Avenue in Los Angeles.
What country manufactures tascam? ›TEAC is one of four divisions of TEAC Corporation, a $200 million manufacturing company headquartered in Japan.
What is 24-bit 192kHz audio? ›The highest quality MP3 has a bitrate of 320kbps, whereas a 24-bit/192kHz file has a data rate of 9216kbps. Music CDs are 1411kbps. The hi-res 24-bit/96kHz or 24-bit/192kHz files should, therefore, more closely replicate the sound quality the musicians and engineers were working with in the studio.
Is 24-bit audio better than CD? ›High-Resolution Audio files have a sampling frequency of 96 kHz/24 bit, which is significantly higher than the 44.1 KHz/16 bit sampling frequency of CDs.
Is 24-bit audio noticeable? ›Most people believe that the audio quality of 24-bit is better than 16-bit – and this is true in computing and scientific accuracy. But, conflating quality with a higher number isn't true perceptually. While there is a greater dynamic range and less noise, the human ear cannot perceive much difference between the two.
Is 192kHz better than 96kHz? ›Because 192kHz is taking 2 two times as many samples per second than 96kHz, it will require twice as much hard-drive space to store and will require the computer to process twice as much in the same amount of time. Not great, especially when there isn't that much of an advantage over 96kHz.
Which bit has highest quality sound? ›There is no best bitrate, only the right bitrate.
Audio CD bitrate is always 1,411 kilobits per second (Kbps). The MP3 format can range from around 96 to 320Kbps and streaming services like Spotify range from around 96 to 160Kbps.
16 bits is all you need
That's all we need bit depth for. There's no benefit in using huge bit depths for audio masters. Alexey Ruban Due to the way noise gets summed during the mixing process, recording audio at 24 bits makes sense. It's not necessary for the final stereo master.
Connecting studio monitors to an audio interface is very simple. The only thing you need to do is plug the output connectors from the studio monitor into the input connectors on the audio interface.
What cable do I need to connect monitors to audio interface? ›An audio interface has one or more input channels for external devices such as a synthesizer, guitar, or microphone. The standard inputs are 6.35mm TRS (¼-inch) jack, XLR or RCA. Your studio monitors can be connected to the 6.35mm jack or RCA outputs.
Can you connect audio interface to regular speakers? ›
If your speakers are normal passive stereo speakers, you can't drive them directly from the audio interface - there's no amplifier in there. You need to take the output from the audio interface into a spare input on your amplifier.
Can a tascam be used as an audio interface? ›Apart from handheld recording, the DR-40X can also be used as a USB audio interface with two inputs and outputs, making it a strong yet easy gear for voiceover work, live streaming, podcasting and songwriting with studio-quality audio.
Is A tascam an audio interface? ›The new TASCAM SERIES audio interface family provides professional quality. Sound is the secret to increasing your audience.
What to know before buying audio interface? ›Build quality is an important factor when it comes to choosing an audio interface and Durability, reliability and feel are the key elements that people often look for in an interface. Interfaces with a metal chassis and knobs are ideal as they stand up better to knocks and bumps.
Do I need a sound card with an audio interface? ›Technically, a sound card is an optional component but a necessary one if you want to hear sound from your PC on wired headphones or speakers (just like an external DAC), or plug in a mic with an analog output.
Do I need two inputs for audio interface? ›Only a 1-input audio interface is needed for recording one sound source at a time. For one musician but two sources e.g. vocals and guitar, 2 inputs are required. For a drum set, a minimum of 8 is recommended. A full band requires at least 8, going up to 16 if the band has a full drum set.
Which is better TASCAM or zoom? ›Main differences between the Tascam DR 05 vs the Zoom H1
The Tascam DR 05 has a 17-hour battery life, whereas the Zoom H1 has 10 hours of battery life. The Tascam DR 05 is compatible with a USB, whereas the Zoom H1 is compatible with a Mini USB. The Tascam DR 05 weighs 4.01oz, whereas the Zoom H1 weighs 2.08oz.
With superb audio specifications and connectivity and featuring an outstanding microphone preamp, the TASCAM SERIES 8p Dyna is a great choice for both studio and stage.
What is the difference between cheap and expensive audio interfaces? ›The cheaper interfaces are going to provide you with more of the natural tone of your voice or instrument/amp. The more expensive interfaces are going to add more of what was described above… color, warmth, depth, etc. Another major difference is the number of inputs and outputs the interface has.
Is it better to buy an amp or audio interface? ›Amp Vs Audio Interface. Audio interfaces tend to have better sound quality than amps because you can process it more later with the computer. However, audio interfaces may have latency issues depending on your computer and sound cards. You need a relatively powerful computer to process the sound without delay.
Do I need speakers for my interface? ›
Don't worry if you don't have speakers connected to your audio interface - you can still use headphones alone to hear sound from your computer.
What mic do most musicians use? ›...
- Sontronics Solo microphone. ...
- IK Multimedia iRig Mic Studio. ...
- Sennheiser e 609 Silver. ...
- Rode NT1 microphone. ...
- Audio Technica AE2300 microphone. ...
- Shure MV7.
Focusrite makes some of the best audio interfaces for vocals, and if you're just starting out, the Focusrite Scarlett 2i2 is the perfect solution. In its third generation, the Focusrite Scarlett 2i2 features dual inputs for both XLR and ¼” TRS, meaning you can record vocals, instruments or both at the same time.
What microphone do professional musicians use? ›- Neumann U87 Ai.
- Shure SM7B.
- Electro-Voice RE20.
- Audio-Technica AT2020.
- AKG C414 XLII.
- Rode NT1-A.
- MXL 990.
Features. [2 In 2 Out]This audio interface has 2 high-headroom instrument inputs and 2 out USB-C audio interfaces with a high-headroom, Class A DYNA microphone preamplifier, giving your vocal recordings a brighter and more open sound. Instrument/Line input switch for plug in most kind of instruments and play.
What is 2.0 vs 2.1 audio? ›Your basic stereo system (a 2.0 system) has two channels of sound—left and right—produced by two speakers. A 2.1 channel system adds a subwoofer into the mix for extra warmth and bass, often a necessity for a music listener who prefers speakers to headphones.
What is 1.0 vs 2.0 audio? ›USB Audio Class 1.0 is the original format and supports up to 96kHz audio. This is the default setting as all computers will support this class. USB Audio Class 2.0 is a newer standard and supports audio up to 192kHz.
What is a 2.0 audio mix? ›For stereo setups, there are two main options: 2.0 and 2.1. A 2-channel stereo system plays the audio from both channels – left and right. In contrast, a 2.1-channel system adds a subwoofer to the stereo channels.
What audio interfaces do professionals use? ›- RME Babyface Pro FS (Our Pick)
- Universal Audio Apollo Twin X (Most Versatile)
- Apogee Symphony Desktop (Premium Choice)
- PreSonus AudioBox USB 96 (Best Value)
- Focusrite Scarlett 2i2 3rd Gen.
- SSL 2+
- Mackie Onyx Producer 2-2 USB.
Many musicians consider an eight-input interface to be sufficient. But this is actually the minimum number of channels needed for recording a live rock band: four mics for your drum kit plus guitar, bass, vocals and a mono keyboard.
Is 2.1 considered surround sound? ›
There are multiple types of surround sound, including 2.1 and 5.1 surround sound, and the different types have very different effects. So, what is the difference between 2.1 and 5.1 surround sound? 2.1 surround sound often use two speakers in stereo and sometimes a subwoofer for a lower frequency range.
Is 2.1 or 3.1 better for music? ›3.1 channel soundbars are a single step up from 2.1 soundbars. They include the center channel for enhanced dialogue, as well as, better background audio effects. 5.1 Soundbar – left, right, center, surround left, and surround right channels with an external subwoofer.
Is 2.1 good for music? ›Most modern music is recorded in stereo, which uses two channels—one left, and one right. So a 2.1 sound system is the best choice for listening to music.
Is USB 2.0 good enough for audio? ›2×2 audio interfaces like the popular Focusrite Scarlett 2i2 only require about 4 Mbps for 24-bit 48kHz audio data to and from each of the 2 inputs and 2 outputs. So, USB 2.0 is more than enough, even when adding the additional non-audio data.
What's the highest quality audio format? ›Both WAV files and AIFF files represent the highest quality possible in the audio world – they are the files of choice for any mixing or mastering engineer looking to retain the highest quality possible. AIFF files were developed by Apple but also play on the Window's OS.
What is the highest quality audio type? ›WAV (Waveform Audio File) retains all the original data, which makes it the ideal format for sound engineers. “WAV has greater dynamic range and greater bit depth,” creative producer and sound mixer Lo Boutillette says of her preferred format. “It's the highest quality,” Berry agrees.
Which is better Dolby 7.1 or Atmos? ›Expert-Verified Answer. The sound is deeper and more precise with Dolby Atmos than with conventional Surround 7.1 systems due to the addition of overhead sound and superior calibration software. Developed by Dolby Laboratories, Dolby Atmos is a surround sound system.
What is the sound quality of Netflix? ›You can watch Netflix in high-quality audio on most titles available with 5.1 surround sound or Dolby Atmos.
What is the difference between Dolby and Atmos? ›Dolby Atmos takes Dolby's traditional 5.1 and 7.1 surround sound setups a step further by adding a third, overhead dimension. You're no longer constrained to a stereo system or standard six- or seven-channel arrangement.